Manchester Music - Dec 2005

As friends of the impressive Polytechnic, it isn’t altogether surprising to see The Nightjars sharing a very similar set of influences. Both bands dig post-rock, krautrock and US indie-rock in equal proportion, but that’s where the similarity ends. Whilst Polytechnic brim with up tempo knife-edge tension, The Nightjars seem somewhat calmer and more resigned. Thankfully, they’re equally competent too.

Paying considerable attention to detail, there’s very little on The Nightjars record that feels like deadweight. It’s highly melodic stuff, with intricate, intertwining guitars effectively complimenting each other. Similarly, The Nightjars benefit from a fervent interest in rhythm, thanks in the main to the virtuoso drumming of Seamus O’Kane. Roaming bass lines snake around infectious rhythms and it’s hard not to be dragged in.

Beneficially, there’s a considerable quantity of angst here. Whilst the vibe may be down tempo and seemingly laid back, the music provides an interesting counterpoint to Ollie Wright’s sneering vocals. There’s always something boiling just below the surface to keep the listener alert.

The Nightjars, like their friends Polytechnic, have brought some fresh ideas to the table, which they execute with authority.

DH